Between late fall 2014 and the end of
January 2015 an exhibition of contemporary Chinese
Ink painting took place. It is difficult for a Western layman to
judge how representative the exhibited works were, but it must have
been a good cross section. There were even several audio visual art
works, based on paintings. While some works were daringly
experimental, others revealed a dialogue with traditional styles and
subjects. A true highlite was a huge work
produced with help of a controlled chain reaction of minor gunpowder explosions
spreading the pigment. A film showed the entire spectacular
procedure.
The museum is a great place for a an
excursion from Gothenburg. The bookstore is smallish, yet you find
interesting stuff that can keep you occupied for quite some time. The
Café/Restaurant holds a good standard, but always irritates me by
closing long before the museum does...
The Nordic Watercolor Museum |
Here are some of my own impressions from the exhibition:
The"GunPowder"-painting |
GunPowder"-painting, detail |
March 7th, 2015
Some time had passed since the Chinese
Ink Art Exhibition moved on. I still had not done my blog entry. Then my interest came to life again through
another exhibition.
At our local artist's collective ”Konstepidemin” artists can rent studios and some can even live on the premises. Guest artists from other countries are regularly accomodatet. Su Mei from China was one of them. Not only did she exhibit her works painted in Sweden, she also offered free lessons in Chinese painting on weekends during the opening hours. High class art and a friendly, open minded artist!
At our local artist's collective ”Konstepidemin” artists can rent studios and some can even live on the premises. Guest artists from other countries are regularly accomodatet. Su Mei from China was one of them. Not only did she exhibit her works painted in Sweden, she also offered free lessons in Chinese painting on weekends during the opening hours. High class art and a friendly, open minded artist!
In recent years I always leave
watercolor and ink painting exhibitions with something like a bad
conscience. After thirty years of periodically painting myself, I
seem to have lost this activity so dear to me. Pushed over by photography, which certainly is a strong means of expression
as well. Yet it cannot really replace the peculiar quality of painting, the
stillness, the contemplation, the sudden decisions, the flow of
colors, the daring strokes. Something I will reflect on some more...
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